Transport continues the visual language of Travel and Camden, but loosens its ties to any one place. The spaces feel more earthly than cosmic, more grounded than dreamlike, yet they remain spatially ambiguous. Shapes hint at land, sky, or distance without settling into fixed imagery.

The title points to what the work invites: a small act of movement. These paintings leave room for the viewer to bring their own associations into the space—to feel their way into what the painting might be. Rather than telling a story, Transport sets a tone and lets the rest unfold internally.