Camden Nights is a series shaped by imagined space and childhood memories. Rooted in Sara

Carter’s early life in East Texas, the works produce dimensional worlds formed through recollection

and dreamlike vision. The name, selected by curator David de Boer, grounds the series in personal

history, though the imagery remains abstract and suggestive. Pieces like Can We Get There From

Here and Happy Crocodile in the Park both gesture toward movement, joy, and remembered

landscapes. Works like Today’s Window speak to emotional transitions without referencing places.

Rather than depict scenes, Camden Nights maps internal terrain—moments of wonder, memory,

and the shifting space between reality and imagination.